Rema Hort Mann Foundation

Day Sinclair

Day Sinclair As I grow more and more weary, I’m sustained more and more once I complete a painting.Another form of supplication can be attributed,

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Asif Mian

Asif Mian Growing out of personal and collective experiences, my practice has come to respond to and reflect on the perceptions and processings of violence.

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Annabeth Marks

Annabeth Marks Making a painting is a process of constant revision. Working with fragmentation and collage as a way to construct paintings, I have been

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Anne Wu

Anne Wu On a walk through my neighborhood of Flushing, Queens, I might encounter a brick househand-painted with rich turquoise accents, a stainless steel gate

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Jeremy Lawson

Jeremy Lawson (sleeping) we’re all in the same boat alone. I don’t know what I want, what to eat, what to read, or what to

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Blake Daniels

Blake Daniels During the process of painting I often muse over things which my eyes can’t see:  whether failure is the truest queer art? Whether

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Shanzhai Lyric

Shanzhai Lyric Since 2015, we (Ming Lin and Alexandra Tatarsky) have collaborated as Shanzhai Lyric—taking inspiration from the experimental English of shanzhai t-shirts made in

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Kenya (Robinson)

Kenya (Robinson) I am not a nice girl. I resist the performed ignorance of whiteness and reject blackness-as-victimhood; y’all know what you’re doing and we

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2022 Guidelines RHMF ACE Grant

Artist Community Engagement Grant   Rema Hort Mann Foundation’s Artist Community Engagement (ACE) Grant provides financial support—individual grants for up to $1,500—to projects that are

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Joiri Minaya1

Joiri Minaya My ideas are concerned with otherness, self-consciousness and displacement. I’ve made work inspired by women in my family, labor, dislocation, psychology, myth, art

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