Gaby Collins Fernandez
Gaby Collins Fernandez I am an abstract painter. The work I am submitting for this application is varied in dimension and medium, and it was
Claudia Cortinez
Claudia Cortinez There is a photograph of me age five sitting in my fathers study. The chair is a dusty grey velvet and the light
Andrew Brischler
Andrew Brischler I am most interested in the moments in which even the most expertly crafted paintings begin to fall apart. You see it in
Daniel Bejar
Daniel Bejar My recent work appropriates the myths, signs, and culture found in the public sphere, and through forms of performance and intervention new layers
Cara Benedetto
Cara Benedetto The work has come to center on the interrelation between feminism, language and ethics. Precarious language and subjects highlight the vulnerability necessary to
Njideka Akunyili
Njideka Akunyili My experiences of diverse cultures have not only made me the individual I am, but have also provided rich subject matter upon which
Yevgeniya Baras
Yevgeniya Baras I believe painting to be a conglomeration of time and experience, and my paintingsrecord intentional and chance-driven activities, creating a kind of compacted
Sara Magenheimer
Sara Magenheimer My work attends to visual signs in a way that addresses the materiality of theirmanifestation, decoupling language and meaning, and pushing at the
Ian Cheng
Ian Cheng My work to date assumes a biological and behavioral impulse at the heart of every technology. Whether it’s YouTube (a service), the iPhone
Mary Simpson
Mary Simpson Allegory is not a future problem. It relies on the past to retell the present. Allegory desires andconsumes: the fragment, the imperfect, the