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Rema Hort Mann Foundation

Madeleine Hunt-Ehrlich

Madeline Hunt-Ehrlich “How can narrative embody life in words, and at the same time respect what we cannotknow?” – Saidiya HartmanI make work about black

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Rachel Labine

Rachel Labine My work sits within the tension between flattened two-dimensional space and affectiveembodied experience, where spatial flips and pauses occur at the levels of

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Sharon Madanes

Sharon Madanes Henri Bergson wrote that art removes what “veils reality from us, in order to bring us face to face with reality itself.” I

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Talia Levitt

Talia Levitt As with all deemed forbidden, marginal or disregarded, trompe l’oeil and still life have been ripe for cooptation and reinvention starting in the

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Elizabeth Tubergen

Elizabeth Tubergen The triangulated relationship between the artist, the artwork, and the audience is at the foundation of my practice, especially as it manifests spatially.

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Autumn Knight

Autumn Knight In my interdisciplinary work, I create performances, installation and video works that re-think and re-make societal ideas about race, gender, history and the

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Ander Mikalson

Ander Mikalson I create objects and drawings that invite human connection through their use, instruction and affordances. I use the language of scores, contracts, stage

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