2016
Ander Mikalson

Score for Two Dinosaurs, 2014 Installation and performance Dimensions variable; approximately 30 minutes duration
Queens Museum, Queens, NY
Performed by the artist with the audience

Score for Two Dinosaurs (Instruments), 2014 Installation and performance Dimensions variable; approximately 30 minutes duration
Queens Museum, Queens, NY
Performed by the artist with the audience

#1 Hit (Maya Lin, “Wave Field”, 2007-08; Alicia Keys, “No One”, 2007), 2016 Performance Approximately 40 minutes duration
Storm King Art Center, New Windsor, NY
Co-authored with Carey Denniston; performed by the Lesbian and Gay Big Apple Corps

#1 Hit (Forrest Myers, “Four Corners”, 1969-70; Three Dog Night, “Joy to the World”, 1970), 2016 Performance Approximately 40 minutes duration
Storm King Art Center, New Windsor, NY
Co-authored with Carey Denniston; performed by the Lesbian and Gay Big Apple Corps

#1 Hit (Mark di Suvero, “Mozart’s Birthday”, 1989; Madonna, “Like a Prayer”, 1989), 2016 Performance Approximately 40 minutes duration
Storm King Art Center, New Windsor, NY
Co-authored with Carey Denniston; performed by the Lesbian and Gay Big Apple Corps

#1 Hit (Tony Smith, “Source”, 1967; The Beatles, “Hello Goodbye”, 1967), 2016 Performance Approximately 40 minutes duration
Storm King Art Center, New Windsor, NY
Co-authored with Carey Denniston; performed by the Lesbian and Gay Big Apple Corps

Score for the Big Bang, 2013 Performance Approximately 8 minutes duration
583 Park, New York, NY
In collaboration with Dr. Mark Whittle and Caroline Shaw; performed by the Young New Yorkers’ Chorus

Score for the Big Bang, 2013 Performance Approximately 8 minutes duration
583 Park, New York, NY
In collaboration with Dr. Mark Whittle and Caroline Shaw; performed by the Young New Yorkers’ Chorus

Score for the Big Bang, 2013 Performance Approximately 8 minutes duration
583 Park, New York, NY
In collaboration with Dr. Mark Whittle and Caroline Shaw; performed by the Young New Yorkers’ Chorus

Variations VIII, 2014 Performance Approximately 17 minutes duration
SkowheganNYC, New York, NY
Score by John Cage; originally performed by John Cage and Merce Cunningham; reimagined and performed by the artist with John Dombroski

Variations VIII, 2014 Performance Approximately 17 minutes duration
SkowheganNYC, New York, NY
Score by John Cage; originally performed by John Cage and Merce Cunningham; reimagined and performed by the artist with John Dombroski

North Shore, 2015 Installation and performance Approximately 120 minutes duration
MOIETY, Brooklyn, NY
Co-authored with Carey Denniston; performed by Nicole Ohr and Ryan Rockmore

North Shore, 2015 Installation and performance Approximately 120 minutes duration
MOIETY, Brooklyn, NY
Co-authored with Carey Denniston; performed by Nicole Ohr and Ryan Rockmore

Stages, 2016 Performance Approximately 25 minutes duration
The Kitchen, New York, NY
Co-authored with Carey Denniston; performed by Madeline Hollander and Alina Tenser

Stages, 2016 Performance Approximately 25 minutes duration
The Kitchen, New York, NY
Co-authored with Carey Denniston; performed by Madeline Hollander and Alina Tenser

Stages, 2016 Performance Approximately 25 minutes duration
The Kitchen, New York, NY
Co-authored with Carey Denniston; performed by Madeline Hollander and Alina Tenser

White Knuckle, 2017 Installation and performance Duration variable (ongoing 30 minute loop)
Kate Werble Gallery, New York, NY
Co-authored with Carey Denniston; performed by Kelsey Strauch, Barb Smith and Em Rooney

White Knuckle, 2017 Installation and performance Duration variable (ongoing 30 minute loop)
Kate Werble Gallery, New York, NY
Co-authored with Carey Denniston; performed by Kelsey Strauch, Barb Smith and Em Rooney

White Knuckle, 2017 Installation and performance Duration variable (ongoing 30 minute loop)
Kate Werble Gallery, New York, NY
Co-authored with Carey Denniston; performed by Kelsey Strauch, Barb Smith and Em Rooney

White Knuckle, 2017 Installation and performance Duration variable (ongoing 30 minute loop)
Kate Werble Gallery, New York, NY
Co-authored with Carey Denniston; performed by Kelsey Strauch, Barb Smith and Em Rooney
Autumn Knight

an experimental freezing of a room by metaphorical means, 2017
Performance, Installation
Variable
Krannert Art Museum

WALL 2014- (2014 Shown)
Performance, Sculpture, Installation
Variable
Galveston Artist Residency, Galveston, TX

WALL 2014- (2014 Shown)
Performance, Sculpture, Installation
Variable
Galveston Artist Residency, Galveston, TX

Sanity TV, 2016- (2018 Shown)
Performance
Variable
Berlin

Sanity TV, 2016- (2017 Shown)
Performance
Variable
New York, The Greene Space

Sanity TV, 2016- (2018 Shown)
Performance
Variable
Berlin

Grand Opening/Grand Closing, 2018
Performance, Video
Variable
Marfa Contemporary, Marfa, TX

M_ _ _ ER, 2018- (2018 Shown)
Performance
Variable
DiverseWorks, Houston, TX

M_ _ _ ER, 2018- (2018 Shown)
Performance
Variable
DiverseWorks, Houston, TX

M_ _ _ ER, 2018- (2018 Shown)
Performance
Variable
DiverseWorks, Houston, TX

Lament (with Abijan Johnson), 2013- (2017 Shown)
Performance, Installation
Variable
Krannert Art Museum

In Rehearsal Companion Piece, 2017
Performance, Installation
Variable
Krannert Art Museum

In Rehearsal Companion Piece, 2017
Performance, Installation
Variable
Krannert Art Museum

Documents (Toronto), 2019
Performance, Installation
Variable
Toronto

Documents (Toronto), 2019
Performance, Installation
Variable
Toronto, Progress Festival

La-a Consortium, 2018
Performance, Installation, Sculpture
Variable
Institute for Contemporary Art, VCU

La-a Consortium: Fourth Convening, 2018
Performance, Installation, Sculpture
Variable
Institute for Contemporary Art, VCU

La-a Consortium: Second Convening, 2016
Performance
Variable
Dallas, TX

Find Out Where They At, 2019
Performance, Installation, Sculpture
Variable
Triangle Arts Association, Brooklyn, NY

Find Out Where They At, 2019
Performance, Installation, Sculpture
Variable
Triangle Arts Association, Brooklyn, NY
Elizabeth Tubergen

Double Grave, 2019
Wood reclaimed from old projects, steel, dye, varnish, webbing, rubberized hardware, foam, vinyl
28 ft long x 12 ft wide x 10 ft tall
Installation view at DeCordova Sculpture Park and Museum, Boston, MA

Double Grave, 2019 - Alternate view
Wood reclaimed from old projects, steel, dye, varnish, webbing, rubberized hardware, foam, vinyl
28 ft long x 12 ft wide x 10 ft tall
Installation view at DeCordova Sculpture Park and Museum, Boston, MA

The Stranger, 2018-19
Wood, dye, wax, hardware, tent fabric, webbing, rubberized hardware (d-rings, eyelets, hooks, turnbuckles), airline cable and ferrules, steel, foam, buckles, hinges, clevis pins, cotter pins, and custom telescoping fittings
64 ft long x 14 ft at widest x 14 ft at tallest
Tabakalera, San Sebastian, Spain. The tents on either side housed the work of Omar Mismar and Lara Tabet and Dages Juvelier Keates and Alexis Steeves performed with the sculpture during the opening.

The Stranger, 2018-19 – Alternate View
Wood, dye, wax, hardware, tent fabric, webbing, rubberized hardware (d-rings, eyelets, hooks, turnbuckles), airline cable and ferrules, steel, foam, buckles, hinges, clevis pins, cotter pins, and custom telescoping fittings
64 ft long x 14 ft at widest x 14 ft at tallest
Tabakalera, San Sebastian, Spain

The Stranger, 2018-19 – Dages Juvelier Keates and Alexis Steeves performing with the swinging gates
Wood, dye, wax, hardware, tent fabric, webbing, rubberized hardware (d-rings, eyelets, hooks, turnbuckles), airline cable and ferrules, steel, foam, buckles, hinges, clevis pins, cotter pins, and custom telescoping fittings
64 ft long x 14 ft at widest x 14 ft at tallest
Tabakalera, San Sebastian, Spain

Reenactment: Spit You Out, 2018
Wood recycled from old projects, dye, wax, webbing, hardware, rubber, webbing, upholstery foam, vinyl
40 ft long x 6 ft at widest x 8.5 ft at tallest
Hercules Project Space, NYC

Reenactment: Spit You Out, 2018 – Alternate view
Wood recycled from old projects, dye, wax, webbing, hardware, rubber, webbing, upholstery foam, vinyl
40 ft long x 6 ft at widest x 8.5 ft at tallest
Hercules Project Space, NYC

Apparition, 2016-17
Wood, hardware, recycled foam and rubber from the automotive industry, and binder
40 ft long, 16 ft wide, 4 ft tall
Socrates Sculpture Park, NYC

Apparition, 2016-17 – Alternate view
Wood, hardware, recycled foam and rubber from the automotive industry, and binder
40 ft long, 16 ft wide, 4 ft tall
Socrates Sculpture Park, NYC

Apparition, 2016-17 – Alternate view
Wood, hardware, recycled foam and rubber from the automotive industry, and binder
40 ft long, 16 ft wide, 4 ft tall
Socrates Sculpture Park, NYC

Invert, 2016 – view as one enters the gallery
Steel, webbing, buckles, thread, foam, and reflective fabric slipcover
12 ft long x 10 ft tall x 7 ft wide
Aronson Gallery at the New School, NYC. The sculpture created an interstice between itself and the windows opening onto 5th avenue, a place where gallery visitors could sit and watch the street whilst people on the street looked back at them.

Invert, 2016 – view from the street outside the gallery
Steel, webbing, buckles, thread, foam, and reflective fabric slipcover
12 ft long x 10 ft tall x 7 ft wide
Aronson Gallery at the New School, NYC

Invert, 2016
Ham collective performs with the sculpture. The sculpture’s reflective slipcover created an effect of light bouncing and silhouetting as car headlights passed by or camera flashes were used.
Steel, webbing, buckles, thread, foam, and reflective fabric slipcover
12 ft long x 10 ft tall x 7 ft wide
Aronson Gallery at the New School, NYC

Champion Takes All, 2014
Rubber granules, binder, cement, cobalt, food coloring, wood, paint and hardware
Three piece podium, 12.5 ft long x 7 ft wide x 6 in tall
Public installation in Canon's Walk courtyard in the South Street Seaport, NYC. Daily visitors to the courtyard traversed the sculpture and used it as a place to loiter, eat, and talk.

Champion Takes All, 2014 – detail view
Rubber granules, binder, cement, cobalt, food coloring, wood, paint and hardware
Three piece podium, 12.5 ft long x 7 ft wide x 6 in tall
Public installation in Canon's Walk courtyard in the South Street Seaport, NYC

Hold Me In Your Long Arms, 2014
Treated lumber, hardware, rebar, sandbags, vortex anchors, cable, elastomeric compound, iron oxide
25 ft long x 10 ft tall
Public installation at the Elizabeth Street Garden, NYC. A rubberized arch connects two benches, one of very few places garden visitors were allowed to sit.

Hold Me In Your Long Arms, 2014 – Alternate view
Treated lumber, hardware, rebar, sandbags, vortex anchors, cable, elastomeric compound, iron oxide
25 ft long x 10 ft tall
Public installation at the Elizabeth Street Garden, NYC

Elephant For Any Occasion, 2013
Plywood, fir, pine, screws, bolts, foam, fiberglass mesh, concrete
19' x 25' x 12' tall
Installation view at Hunter College's Times Square Gallery. Viewers could enter through the archway at the rear of the sculpture and ascend the staircase.

Elephant For Any Occasion, 2013 – Alternate view
Plywood, fir, pine, screws, bolts, foam, fiberglass mesh, concrete
19' x 25' x 12' tall
Installation view at Hunter College's Times Square Gallery.

Elephant For Any Occasion, 2013
Plywood, fir, pine, screws, bolts, foam, fiberglass mesh, concrete
19' x 25' x 12' tall
Installation view at Hunter College's Times Square Gallery. Twin Dolly Partons in drag sing Stairway to Heaven in the ruins of Elephant for Any Occasion as a part of a collaborative performance titled Collapse of an Empire. Other performances included a wedding ceremony, a reading, and a demolition porn. With Dominika Ksel and many others.
Elliott Jerome Brown Jr.

Complex occupation, 2017
Archival pigment print
26” x 39”

Oftentimes, justice for black people takes the form of forgiveness, allowing them space to reclaim their bodies from wrongs made against them, 2018
Archival pigment print
33” x 50”

Archival pigment print 33” x 50”
Archival pigment print
33” x 50”

“Thank you for having me”, 2017/2018
Archival pigment print, acrylic rod, archival pigment print on transparency, and plexiglass
24” x 36” x 10.5”

To be determined, 2017
Archival pigment print
30” x 45”

She has yet to make it right, 2018
Archival pigment print
30” x 45”

TBD (Leisure), 2018
Archival pigment print
24” x 36”

Sarah’s guesthouse, 2017
Archival pigment print
26” x 39”

our.family.com, 2017
Archival pigment print
26” x 39”

Mommy, Jayden, and I at Christmas, 2016
Archival pigment print
24” x 36”

Low tack / One corner in daddy’s living room / One corner in mommy’s living room, 2017/2018
Archival pigment prints
36” x 54” x 2”

The marks on the wall match those on the body, 2017
Archival pigment print
24 x 36”

Spiral, 2018
Archival pigment print
30” x 45”

TBD (Several points), 2018
Archival pigment print
33” x 50”

An inherent distance, 2018
Archival pigment print
30” x 45”

Over it, 2016
Archival pigment print
24” x 36”

Vanessa and Diane, 2016
Archival pigment print
24” x 36”

Three house facades, 2016
Archival pigment print suspended on wood cutouts
36” x 54” x 2”

Kelso exhausting, 2016
Archival pigment print
33” x 50”

Devin in red socks, 2016
Archival pigment print
24” x 36”
Rachel labine

Hairline tremor, a stammering symmetry, birdcage, hands tomorrow, threaded still, 2019
Acrylic on PVC, aluminum, steel wire, vinyl, plastic beads, string, color pencil and acrylic on yupo, mylar, oil on panel, marker, paper, inkjet prints, gold wire, glass
Dimensions dependent on sun
Wallach Gallery, Lenfest Center for the Arts
Photo Mónica Félix

A stammering symmetry, detail, 2019
Vinyl
Dimensions dependent on sun
Wallach Gallery, Lenfest Center for the Arts

Birdcage, detail, 2019
Plastic beads, string, acrylic on PVC, aluminum, color pencil and acrylic on yupo, vinyl on mylar, glass, inkjet print, oil on panel
210 x 61 x 62 in.
Wallach Gallery, Lenfest Center for the Arts
Photo Yi Sa-Ra

Birdcage, detail, 2019
Plastic beads, string, acrylic on PVC, aluminum, color pencil and acrylic on yupo, vinyl on mylar, glass, inkjet print, oil on panel
210 x 61 x 62 in.
Wallach Gallery, Lenfest Center for the Arts
Photo Mónica Félix

Hairline tremor, a stammering symmetry, birdcage, hands tomorrow, threaded still, 2019
Acrylic on PVC, aluminum, steel wire, vinyl, plastic beads, string, color pencil and acrylic on yupo, mylar, oil on panel, marker, paper, inkjet prints, gold wire, glass
Dimensions dependent on sun
Wallach Gallery, Lenfest Center for the Arts
Photo Mónica Félix

Double zero, 2019
Oil on panel
8 x 6 in.
Photo Mario Gallucci

By turns diffuse and binding, 2019
Exhibition view, early evening
Fourteen30 Contemporary, Portland
Photo Mario Gallucci

Sugar rose, 2018
Oil on panel
4 ½ x 9 ½ in.
Photo Mario Gallucci

Hollow ribbon suns, 2018
Acrylic on PVC, wood, vinyl, paper, inkjet print, gaff tape, metal snap fasteners
72 x 32 x 8 in.
Fourteen30 Contemporary, Portland

Hollow ribbon suns, detail, 2018
Acrylic on PVC, wood, vinyl, paper, inkjet print, gaff tape, metal snap fasteners
72 x 32 x 8 in.
Fourteen30 Contemporary, Portland

Month of May, 2018
Acrylic on PVC, oil on panel, paper, metal snap fasteners
58 x 38 x 4 ½ in.
Fourteen30 Contemporary, Portland
Photo Mario Gallucci

By turns diffuse and binding, 2019
Exhibition view, daytime
Fourteen30 Contemporary, Portland

Stripes, solids, 2019
Oil on panel
10 x 8 in.
Photo Mario Gallucci

Untitled, detail, 2019
Vinyl, acrylic and colored pencil on yupo, plastic beads, string, duct tape, cords, pins, inkjet print, plastic chain
125 x 24 x 7 in.
Photo Mario Gallucci

By turns diffuse and binding, 2019
Exhibition view, early evening
Fourteen30 Contemporary, Portland
Photo Mario Gallucci

By turns diffuse and binding, 2019
Exhibition view, night time
Fourteen30 Contemporary, Portland
Photo Mario Gallucci

Fickle Clock, 2017
Oil on panel
10 x 8 in.
Photo Charles Benton

Lucy Kim, Rachel LaBine, Isabel Yellin, 2017
Exhibition view
Lyles & King, New York
Photo Charles Benton

Elvira’s egg, 2017
Oil on panel
11 x 8 in.
Photo Charles Benton

Taut stem, blithe spirit, 2017
Oil on panel
10 x 8 in.
Photo Charles Benton
Sharon Madanes

Clinical Vision, 2018
Oil on canvas
80” x 128”

Double Room, 2019
Oil on Canvas
20” x 22”

Slow Scrub, 2019
Oil on linen
8” x 10”

Clinic Chess, 2018
Oil on Panel
24” x 36”

Low Profile, 2019
Oil on Linen
18” x 24”

Woman, 2019
Oil on Canvas
80” x 64”

Hover, 2018
Oil on Panel
18” x 24”

At the Bedside, 2019
Oil on Panel
18” x 24”

Mommy Makeover, 2018
Oil on Canvas
80” x 64”

Melting, 2019
Oil on linen
8” x 10”

Natural Light Humanizes, 2017
Oil on canvas
54” x 60”

Rounds, 2018
Oil on linen
28” x 30”

Portrait of a Long-necked Woman, 2018
Oil on linen
22” x 25”

Hand Hygiene (striped shirt), 2016
Oil on panel
16” x 24”

Hand Hygiene ( green), 2016
Oil on panel
16” x 24”

The Dermatologist, 2015
Oil and plastic on canvas
43” x 32”

The Checklist, 2016
Oil and acrylic on canvas
16” x 16”

Interwoven, 2016
Oil on found linen
28” x 30”

One hand on the Other, 2016
Oil and chair caning on canvas
22” x 25”

Cut Three Ways, 2015
Oil and acrylic on canvas
80” x 112”