Kenyatta A.C. Hinkle My creative process involves using research that pertains to museum studies, cartography, colonialism and lived experiences to dissect, interrupt and reconstruct narratives

Christopher Richmond My artistic work challenges the aesthetic of traditional story telling by inviting viewers to engage more with the interpretation of narrative (discourse) than

Lauren Mackler Formally trained in Studio Art at NYU I started Public Fiction in 2010 driven by the idea that art can be a position

Nancy Lupo The tactility of my work traffics in a kind of erotics whose wires have been crossed and confused. Food is used in many

Lauren Halsey Being 27 years old and having always been carless in Los Angeles, I have had the opportunity to fanatically watch the city, shaping

Mariah Garnett I am an LA-based artist; film/video is my primary medium. My work exists in the intersection of appropriation, documentary and narrative fiction. I

Rafael Esparza My work is embedded in questions regarding ritual, identity, memory and land. I attempt to inhabit moments in time inaccessible to me and

Neal Bashor A device is helpful in the way it effectively changes the way we think about ordinary things. A kitchen sink faucet, with a

Lindsay August-Salazar My work engages with the limits and possibilities of language through the use of gesture, mark making and typography. In Artificial Solutions, a solo

Chinaedu Nwadibia A former child soldier of the Biafran War in Nigeria found his way to Columbia University where he met an American black woman