Elliott Jerome Brown Jr.
Elliott Jerome Brown Jr. What if one’s right to privacy was just as valuable as visibility? My work is concerned with the role of photography, a
Matthew Schrader
Matthew Schrader Consider a structure that is larger than you can visualize. A structure only grasped in its entiretyby the buildings, or entities it inhabits.
Sable Elyse Smith
Sable Elyse Smith Much of my practice is derived from the intersection of cinema, language, particularly the written text, and image making: construction, deconstruction, and
Anna Glantz
Anna Glantz My paintings reflect an endless search for inventive and surprising images that have the ability to stimulate both sensually and intellectually. Repeated motifs
Elizabeth Tubergen
Elizabeth Tubergen The triangulated relationship between the artist, the artwork, and the audience is at the foundation of my practice, especially as it manifests spatially.
Autumn Knight
Autumn Knight In my interdisciplinary work, I create performances, installation and video works that re-think and re-make societal ideas about race, gender, history and the
Ander Mikalson
Ander Mikalson I create objects and drawings that invite human connection through their use, instruction and affordances. I use the language of scores, contracts, stage
Jazmin Urrea
Jazmin Urrea I grew up in South Central Los Angeles, a disadvantaged area, a food desert and commonly referred to as the “hood.” I have
Joiri Minaya
Looking forward to 2016 NY RHMF Emerging Artist Grant recipient Joiri Minaya’s Conversation with @larryosseimensah at @bam_brooklyn tomorrow, May 3 at 6.30pm. Minaya and Ossei-Mensah
Jennifer Packer
Congratulations to RHMF Artist Alumni, 2013, for her recent Whitney Museum of American Art survey, The Eye Is Not Satisfied With Seeing, which is the