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Rema Hort Mann Foundation

Madeleine Hunt-Ehrlich

Madeline Hunt-Ehrlich “How can narrative embody life in words, and at the same time respect what we cannotknow?” – Saidiya HartmanI make work about black

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Rachel Labine

Rachel Labine My work sits within the tension between flattened two-dimensional space and affectiveembodied experience, where spatial flips and pauses occur at the levels of

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Adrianne Rubenstein1

Adrianne Rubenstein I learned to paint in Nova Scotia in the early aughts at an art school known for its Cal Arts-inspired conceptual program, which

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Joiri Minaya1

Joiri Minaya My ideas are concerned with otherness, self-consciousness and displacement. I’ve made work inspired by women in my family, labor, dislocation, psychology, myth, art

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Azikiwe Mohammed

Azikiwe Mohammed By re-contextualizing well defined and documented ideas /display methods traditionally attributed to white people and their accompanying history do I hope to offer

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Diamond Stingily

Diamond Stingily I want to reconstruct the idea of art for people who grew up similar to my social and economic background. I don’t believe

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Jose Delgado Zuniga

Jose Delgado Zuniga Music is the point of departure for my paintings; it channels my imagination, my memories, with vivid visions and flashes of color.

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Maia Ruth Lee

Maia Ruth Lee Over the past couple years I’ve been working through ideas of economy of language,transposition and new lexicon. Using processes of archiving, re-assembling,

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Grace Metzler

Grace Metzler Viewing my paintings is like staring into a fishbowl. Observing something that is familiar, but transcending reality. The scenes appear ordinary and iconic.

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Sharon Madanes

Sharon Madanes Henri Bergson wrote that art removes what “veils reality from us, in order to bring us face to face with reality itself.” I

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