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Claudia Cortinez

Claudia Cortinez There is a photograph of me age five sitting in my fathers study. The chair is a dusty grey velvet and the light

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Andrew Brischler

Andrew Brischler I am most interested in the moments in which even the most expertly crafted paintings begin to fall apart. You see it in

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Daniel Bejar

Daniel Bejar My recent work appropriates the myths, signs, and culture found in the public sphere, and through forms of performance and intervention new layers

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Cara Benedetto

Cara Benedetto The work has come to center on the interrelation between feminism, language and ethics.  Precarious language and subjects highlight the vulnerability necessary to

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Njideka Akunyili

Njideka Akunyili My experiences of diverse cultures have not only made me the individual I am, but have also provided rich subject matter upon which

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Yevgeniya Baras

Yevgeniya Baras I believe painting to be a conglomeration of time and experience, and my paintingsrecord intentional and chance-driven activities, creating a kind of compacted

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Sara Magenheimer

Sara Magenheimer My work attends to visual signs in a way that addresses the materiality of theirmanifestation, decoupling language and meaning, and pushing at the

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Ian Cheng

Ian Cheng My work to date assumes a biological and behavioral impulse at the heart of every technology. Whether it’s YouTube (a service), the iPhone

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Mary Simpson

Mary Simpson Allegory is not a future problem. It relies on the past to retell the present. Allegory desires andconsumes: the fragment, the imperfect, the

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