Michelle Carla Handel

Small Yearn (Letdown), 2013
Silicone rubber, plaster cement, fabric, fiber fill.
36 x 28 x 20 inches

Trying Hard to Do This Gracefully, 2013
Plaster, wood, fabric, flocking, rubber.
28 x 20 x 9 inches

Installation for ‘These Creatures’ group exhibition, 2019
Mixed media.
72 x 80 x 66 inches
The Wignall Museum

Detail of installation for ‘These Creatures’, 2019
Mixed media.
72 x 80 x 66 inches
The Wignall Museum

Detail of installation for ‘These Creatures’, 2019
Mixed media.
72 x 80 x 66 inches
The Wignall Museum

V Mask, 2019
Digital print on fabric, fiberfill, ceramic, wood, epoxy clay, paint, rubber.
16 x 14 x 4 inches

Hairy Split, 2018
Fabric dye, fabric, fiberfill, ceramic, paint, rubber.
5.75 x 9 x 5 inches

Flipside, 2018
Digital print on fabric, ceramic, batting, paint.
15 x 14.5 x 16 inches

Flapkeeper, 2018
Digital print on fabric, ceramic, plaster, batting, paint.
14 x 15 x 14.5 inches

Baked Good, 2018
Rubber, ceramic, fiber fill, fabric.
4 x 11 x 6 inches

Sunny Side Down, 2019
Glazed ceramic.
18 x 15 x 12 inches

Fringe Cleave, 2019
Digital print on fabric, batting, wax, rubber, and plaster.
16 x 18 x 16 inches

Fringe Cleave, 2019
Digital print on fabric, batting, wax, rubber, and plaster.
16 x 18 x 16 inches

Little Sucker, 2018
Ceramic, rubber, fabric, fabric dye, wood.
18 x 27 x 3 inches

Deep Dive, 2018
Digital print on fabric, batting, plaster, and wire mesh.
23 x 20 x 24 inches

Smoke, Mirrors, Neurons, 2017
Digital prints and mixed media.
96 x 66 x 24 inches

Cloudbusting, 2017
Digital print on canvas and mixed media.
24 x 18 x 4 inches

Oddments, Illusions, Engrams, 2017
(Front and Back)
Digital prints and mixed media.
96 x 66 x 24 inches

Not Your Brand of Humor, 2013
Plaster, wood, silicone rubber.
45 x 22 x 76 inches

I combine media such as rubber, ceramics, photography, and textiles to create sculptural work that sometimes possesses an illusionary or trompe l’oeil effect. The surprise and disguise of material is integral to my making process. Through form and material arrangement I attempt to create my own kind of visual taxonomy that describes extraverbal types of understanding. My sculptures are not fully representational, but they hint at everyday objects or body parts. These material arrangements are a way for me to address variabilities in perception, and how our biased minds make meaning. My work may imply utility and often possesses a sensual fleshiness suggesting something illicit or transgressive. Arrangements within the continuum from body part to object are often absurd or humorous. Whether pieces are all ceramic like ‘Sunnyside Down’, or made of stretchy rubber and textiles like ‘Small Yearn (Letdown)’ and ‘Not Your Brand of Humor’, they are likely to sit or droop somewhere between body part and utilitarian object. They may conjure sex, or some improbable purpose, with titles offering hints at meaning.

Where I incorporate photography into the work, I riff around ideas of self reference and layers of mediated content. I copy, duplicate, and make do-overs to confuse distinctions between what is real from what is simulated. For me these gestures relate to the way our minds process a daily onslaught of warped and refracted information. In the works ‘Oddments, Illusions, Engrams’ and ‘Smoke, Mirrors, Neurons’, each structure physically refers to some sort of didactic panel or bulletin board on casters, suggesting a source of information. Large scale photographs depict arrangements of disparate objects that are mapped or cataloged like entomological specimens. An identical arrangement of actual 3D objects is installed on the the opposite panel — ‘re-dos’ of the objects from the photo but with a shift in color and material. Arranging, framing, remaking, and documenting these objects is a way to create order out of randomness and understanding amidst complexity. Wall works like ‘Cloudbusting’ and ‘Little Sucker’ engage with the language of painting by combining photo-printed or hand-dyed fabric with three dimensional objects to form singular compositions. Other works like ‘Flipside’ and ‘Deep Dive’ are a mixture of hard and soft, incorporating ceramic or plaster parts with upholstered fabric elements. The addition of digital imagery in these works creates an effect of moving back and forth between different levels of space, and plays with current notions of meta and the self-referential.

EDUCATION

2011   MFA  Claremont Graduate University, Claremont, CA
1994   BFA   Parsons School of Design, New York, NY

 

SOLO AND TWO-PERSON EXHIBITIONS

2016
Rabbit’s Foot, Solo Exhibition, Outside Gallery, Los Angeles, CA

2013
Heart on Top of My Head, Solo Exhibition, Shoebox Gallery, Los Angeles, CA

2012
I Do Not Deny Them My Essence, Two-Person Exhibition, Autonomie, Los Angeles, CA
Your Mouth, Undone, Two-Person Exhibition, Garboushian Gallery, Los Angeles, CA
Hungry Me, Tender You, Two-Person Exhibition, RAID Projects, Los Angeles, CA
Big Yearn (Let Down), Solo Lobby Installation, Torrance Art Museum, Torrance, CA

2011
Strange Skin, Solo Exhibition, WEEKEND, Los Angeles, CA
Delicacies, Solo MFA Thesis Exhibition, Peggy Phelps Gallery, Claremont, CA

 

SELECT GROUP EXHIBITIONS

2019
These Creatures, curated by Cindy Rehm, The Wignall Museum, Rancho Cucamonga, CA

2018
Bodies of a Different Mass, Tiger Strikes Asteroid, LA, CA
Skulpturengarten, The REEF, Los Angeles, CA
Taking Up Space, Tiger Strikes Asteroid, LA, CA

2017
Baker’s Dozen VI, Torrance Art Museum, Torrance, CA
The Collectivists, curated by Manual History Machines, Brand Library & Art Center, Glendale, CA

2016
Welcome, Fine Arts Gallery, Cal State Los Angeles, Los Angeles, CA
Kristin Frost, Michelle Carla Handel & Megan Lindeman, Norco College Art Gallery, Norco, CA

2015
Arroyo Seco Garden Classic, curated by Katie Bode, DIANA, Los Angeles, CA
Underdonk at ESXLA, Eastside International (ESXLA), Los Angeles, CA
Lawn Ornaments, Outside Gallery, Los Angeles, CA
LA N CV 2, Coachella Valley Art Center, Indio, CA
After Eden, Muzeumm, curated by Durden & Rey, Los Angeles, CA

2014
Another Thing Coming, Torrance Art Museum, Torrance, CA

2013
Shape Shifters, ACME., Los Angeles, CA
Margin Release Right, West LA College Art Gallery, Los Angeles, CA
The Familiar Unfamilar, Manual History Machines, Wonder Valley, CA
Cake Walk, Hudson Linc, Los Angeles, CA
Some Fine Women, VAST Space Projects, Las Vegas, NV
White Soup and Weighty Air, JAUS, Los Angeles, CA
Love For Sale, XVY Gallery, Los Angeles, CA
The Bouba Kiki Experience, JAUS, Los Angeles, CA
Jamais Vu, Space 4 Art, San Diego, CA

2012
Constructing Fantasy, Beacon Arts Building, Los Angeles, CA
Ground Control, 5790 Projects, Los Angeles, CA

2011
I Don’t Know Where But She Sends Me There, Royale Projects, Los Angeles, CA
Vertigo, Durden & Ray/LA Mart 12th Floor, Los Angeles, CA
Hanging Gardens, 1019 WEST/Beacon Arts Building, Los Angeles, CA
Co/Lab, Art Platform–Los Angeles, WEEKEND booth, LA Mart, Los Angeles, CA
GLAMFA, California State University Long Beach, CA
BOOM. Southern California MFA Group Exhibition,  LA MART, Los Angeles, CA

2010
Traces, Peggy Phelps Gallery, Claremont, CA
Leak of Contemporary Artists, dA Center for the Arts, Pomona, CA

 

AWARDS AND RESIDENCIES

2018    Fall Artist-in-Residence, Anderson Ranch
2018    Artist-in-Residence, April, Vermont Studio Center, Fellowship
2018    Rema Hort Mann Emerging Artist Grant Nominee

 

SELECT BIBLIOGRAPHY

“Classical Music for Artists”, curated by Geoff Tuck and David Richards, 2016.
“Parkfield Review, Issue 4”, curated by Geoff Tuck and David Richards, 2015.
“No Place Like Home”, Anne Ellegood. Frank LA, Issue No. 001, Dec 2014.
“Articulate – An Exhibition in Print”, Los Angeles, CA, 2014.
“Object lessons at Torrance Art Museum’s ‘Another Thing Coming’”, Christopher Knight.
Los Angeles Times, Sept 28, 2014.
“Emergent Presence, Fresh Faces in Art: Eight LA Artists You Should Know”, Catlin Moore &
Matthew Gardocki. Fabrik Magazine. Issue 18, Oct 2012.
“Handel/James: I Do Not Deny Them My Essence”, Grant Vetter. Autonomie. Sept 2012.
“Michelle Carla Handel and Eve Wood at Garboushian Gallery”, Catlin Moore. Daily Serving. Sept 2012.
“Your Mouth, Undone at Garboushian Gallery”, Clifford Eberly. Los Angeles I’m Yours. Aug 2012.
“Michelle Carla Handel and Eve Wood”, Shana Nys Dambrot. LA WEEKLY. Aug 2,2012.
“Josh Atlas and Michelle Carla Handel”, Eve Wood. Artillery. Sept/Oct 2012.

TALKS AND PANELS

2019    Artist Talk for These Creatures, Wignall Museum, Rancho Cucamonga, CA
2018    Artist Talk, Anderson Ranch, Snowmass, CO
2016    Artist Talk, Norco College Art Gallery, Norco, CA
2013    Some Fine Women, Panel Discussion, VAST Space Projects, Las Vegas, NV
2013    Visiting Artist Lecturer, Santa Monica College, Santa Monica, CA
2012  Constructing Fantasy, Artist Talk, Beacon Arts Building, Los Angeles, CA